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This is the official blog of Phoenix Roleplaying, a multi-genre simming site, created in August 2010.

Run by the players, we hope to achieve great things.

Where our journey takes us, who knows.

Tuesday, 17 November 2015

The Blair Bait-And-Switch project (Review: 'Doctor Who' 35.9, "Sleep No More")

I attended the Doctor Who Festival at the ExCeL Centre today; highly enjoyable and very interesting, with some real insights into the production of one of my favourite TV shows. Also, some superb cosplay examples out (wouldn't do that myself, not my cup of tea).

Anyway, onto tonight's episode, penned by man of two hats Mark Gatiss. This 'found footage' episode is definitely the most unusual story in the show's history; no title sequence (just a sort of title card) and in fact a narrated story put together by a scientist. I've got to say that it's definitely going to be one I remember for many years to come... so I guess it did its job.

Capaldi plays it very seriously in this episode; while there are jokes, he's not in a larking about mood, getting to the point and making several key realisations that something is quite, quite dodgy. The current lead actor in this show can turn quickly from hilarious to scary... a skill that not all of the Doctors have possessed over the years - Tennant, Smith and Capaldi can do all do it, but with the greatest respect to the other Doctors, some of them can't.

Jenna Coleman, whose arc is heading towards its conclusion and by 6 December will be an ex-companion if not sooner, also plays it more restrained than normal - there's no jokes about kissing Jane Austen (although kudos for the writers for making her seemingly bisexual without it being the key part of her character) or Year 7s here.

Rassmussen, the operator of the station, is played by Reece Shearsmith. I've not been overly keen on his work - while he was good as Patrick Troughton in An Adventure in Time and Space, I wasn't a fan of Missing and found the one episode I watched of Inside No.9 not my cup of Tetley's. However, in this case, he definitely does the job, being suitably creepy in his addresses to camera and proving very much to be an unreliable narrator; indeed Gatiss knows the potential problems of the sub-genre of found footage, which he neatly resolves here.

The Sandmen (one of which turned up at the last panel at the Festival, albeit obscured by the blue lighting) are very well realised - one of many superb works from Millennium FX since the show came back. The whole idea of them is a very interesting one; perhaps slightly illogical, but hey, this is Doctor Who, a show with a spaceship bigger on the inside than out.

The soldiers were definitely one of the most interesting parts of an episode that very much focuses on them; this episode not only has the first openly trans actor in the show's history, but I believe is also the second episode (after "Journey to the Centre of the TARDIS") where Caucasians do not make up the majority of the cast that aren't wearing a monster suit. The Indo-Japan idea was very interesting and better executed than Firefly (which for all its merits, had no regulars of Asian background).

Also, the final twist... quite superb.

Conclusion

A very unusual episode of Doctor Who and highly, highly atmospheric. Not a true great by any stretch of the imagination, but still very good and superbly written.

8/10

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