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D'ni sim now open at Phoenix Roleplaying!

D’ni sim* now open! If you’re as big a fan as I am of the Myst series of games and books, then you’re sure to love this sim!

D’ni: Infinite Ages is not one sim, but a collection of active and prospective sims based in the Myst Multiverse on Phoenix Roleplaying.

Currently D’ni: Infinite Ages – Prison Break is open and accepting new character applications (for a list of all proposed D’ni: Infinite Ages sims to date, please visit this thread)

Prison Break

Criminals, undesirables, and other evil sorts were often imprisoned by the D'ni in Prison Books - books designed to hold an individual indefinitely, giving them no ability to leave. Suddenly and inexplicably the D'ni vault containing all of its prison books was found open, books scattered across the floor, and their occupants no longer visible in the Linking Panel. Where did they go? How did they escape? What will they do now that they're free?

Phoenix Roleplaying is a multi-genre, international simming community. We welcome new players and invite you to play a part of our growing community. Want to see a genre or sim we don’t yet have? We welcome your ideas! Sign up now!

*Sim/Simming: See Simming League

Disclaimer: Content on Phoenix Roleplaying may include adult themes. View our rules here

 

Some have greatness locking onto them (Grand Review, 'Area 88' 2005 TV Series)

This might just be the best £4.99 I’ve spent so far in my life. I’ve got to thank Kevin “Zuzutoo” Diamond for it as well. For less than the cost of a lunch out, I bought a wonderful Japanese television series, which I will now proceed to discuss.

Plot

The twelve 23-minute episodes of Area 88, set in the late 70s/early 80s, are the second television adaptation of a manga of the same name – which I can’t seem to find to buy… There are plot differences between the three versions, but the gist is such: Shin Kazama, Japanese pilot gets himself shanghaied into a mercenary air force by a man who wants to steal his girlfriend (now that’s a plot that goes back a while – all the way back to 2 Samuel, Chapter 11 in fact). He can only get out three ways – complete three years’ service, raise $1.5 million dollars via the missions (he has to pay for his fuel, weapons and aircraft…) to buy himself out – or desert with all that entails. So, Shin has to fight to survive, flying his F-8 Crusader[1] and later an F-5E Tiger II against the MiGs of the rebels. At the same time, war photographer Shinjo (also Japanese) arrives at the secret Area 88 base, on a mission to take one particular photo…

The DVD comes with Japanese (with subtitles) and English audio – I went with the latter.

Characters

The anime has an array of wonderful characters – many of them putting Shin into their shadow. From arms and information dealer McCoy to short-tempered Greg to woman in a man’s world Kitri (whose introduction is up there with that of Merlin’s Morgause in the “how to make an entrance” category), they’re all memorable and distinctive. This includes the “one-shot” characters. I think watching this in English was the better choice as the characters came out more easily for me – I’d have had to focus on the actual dialogue on the screen otherwise.

Look

From the opening shot of either of the title sequences (it changes from episode 4 onwards), you’re in for a visual treat. The jet combat alone is worth the price of admission, but there’s other wonderful imagery and the animation is superb, even if it does contain the most unusual location I’ve seen the words “Isle of Wight” on screen.

I mentioned the jet combat and I’m going to do so in more depth now. There is a veritable smorgasbord[2] of turn of the 80s aircraft, from A-4 Skyhawks to MiG-23s to Saab Drakens – even a Blackburn Buccaneer of the sort that graces the banner of the Phoenix Roleplaying blog, all wonderfully drawn. If I was a squeeing man… The combat is within visual range (clearly McCoy can’t get Sparrows) and certainly spectacular – got to mention the use of Harrier as SAM platform in one episode.

Sound

The music is superb. The opening theme tune is certainly hummable and complements the title sequence perfectly, although after several re-watches it gets a bit too long.

Story

While certainly a high-octane jet on jet action series, the twelve episodes of Area 88 are also a deep explanation of war and its effect on a person. Shin gradually gets sickened by the death he sees and causes. There’s one episode that has a wonderful discussion on snipers and the loss of pilots is fairly frequent. There’s another episode where a pilot is reluctant to pull the trigger on a former comrade who is now flying for the rebels, although it’s arguably the weakest of the twelve.

The overall plot arc of the twelve episodes isn’t that fully integrated into the story, but where it emerges it does well – particularly in the final dénouement, where the whole story is partly, not entirely resolved.

Summary

It’s by no means perfect, but I’d say it was one of the best air combat stories I’ve ever seen, certainly on the small screen. I aim to get another Japanese series in the next few months – recommendations can go in the comments. Well worth getting hold of – even for more than I paid for it.

It’s also given me some ideas for Fighter Ops…

9/10

[1]Which I initially mistook for an A-7 Corsair II…

[2] Speaking of Scandinavia – yes, I’m planning a Grand Review of Borgen.

The Magical Trees of Androzani (Review: 'Doctor Who' 33.X, "The Doctor, The Widow and The Wardrobe")

There’s always one Christmas present that you really weren’t expecting, either in a good way or a bad way. This year, it was Androzani popping up again in Doctor Who.

“The Doctor, The Widow and The Wardrobe” is clearly inspired by the Narnia novels of  C.S. Lewis (who died on 22 November 1963, a day before the first airing of “An Unearthly Child”), where a family go to a country house and discover a doorway into another world – Moffat has stated as such and is clearly a big fan of the series, although he doesn’t like the religious bits. I like the religious bits as a Christian, but we’ll have to agree to differ there.

This story starts slowly and rather patchily – the pre-titles sequence is rather poor, but things get better once Madge Arwell (Claire Skinner from the wonderful comedy series Outnumbered, turning in a great performance), a recently widowed mother of two takes her two children to Uncle Digby’s house and one of them decides to open their Christmas present early.

“Space Narnia” is a wonderful setting and a great environment, playing host to a story of great pathos [Are you sure you know what that means? – Ed. Oh, stop being such a Scrooge!], humour (the trademark Moffat wit is fully present, especially with the three soldiers) and adventure. The climax is a bit predictable and some of the stuff might not stand up to a second viewing, but I enjoyed the second half considerably, making up for a lacklustre second half. Glad to see Amy and Rory – they’ll be missed once they go. The sets are great and it’s a shame that Doctor Who Confidential is no longer with us to explore the making of this special in more detail.

Matt Smith’s performance is highly praiseworthy. He’s really established the Eleventh Doctor as a unique character, being his own manic style to the role in a way that you can’t imagine David Tennant doing. Long may he continue in this role.

It’s not perfect, but the few sprouts are balanced out by some truly great turkey. A lovely Christmas treat – it’s just a pity we didn’t get a little after-dinner morsel, e.g. an episode title, to whet our appetite for 2012.

8/10.

Merry Christmas

I would like to wish all the readers of this blog a Merry Christmas.

May God bless you all at this time and always.

Mischa Brendel interviews Jason Andersen - Part Two

For roughly how long have you been playing with Phoenix and its predecessors?

Based on when I saved Brandon's file, I joined AJJE in late May or early June 2010. Not long after that came the Schism, and for many reasons, one of which was that Ash and Deb welcomed me unreservedly when I first joined, I followed them to Phoenix. Since then I've started a few Sims of my own, taken over GM duties, made all those characters I mentioned before, ran for office (and was thoroughly beaten, and rightly so), and have taken over the Phoenix wiki. I have also taken on the position as the Awards and Rewards Officer.

Not only do you play different characters in different sims, but you also have a few NPCs that you have created and control as the GM of a few sims. Could you tell a bit about these NPCs and how they came to be?

One of these NPCs is Jane V. Johnson on the Firefly sim Odyssey. Designed as a recurring antagonist for the Odyssey crew, Jane is a cold businesswoman whose ambition sometimes blinds her to danger. She is based off of the wonderful Jane Badler and the V character, 'Diana', she portrayed (both in the original series and the short-lived reboot).

As a player on the Odyssey myself, I've had the pleasure (although my character certainly wouldn't use that word) of running into Jane. I immediately got the impression that you've taken a lot of time to design this character and the company she represents. Is that true? Would you say that she took about as much time coming up with as other characters, or did it take you longer, or perhaps shorter?

Actually, Jane came to me rather quickly. I knew when I took over as GM for the Odyssey that I wanted to introduce some kind of pirate or bounty hunter type that would be a recurring nemesis for the Odyssey crew. This idea came out of my brainstorming how I was going to get one of the characters in that sim, Ayla, ‘home’ to find out that her stepfather was still alive and looking for her. I figured if I were Buddy, an important person in Ayla’s background story, the easiest way to find her would be to put a bounty on her. So that's how I came up with the concept of Jane, although I didn't know who she'd be then. One night I was watching the remake of V with Jane Badler in her role as Diana. As a kid, I remembered being intrigued by the original Diana (also played at that time by Jane Badler), and knew that she would be just cold and heartless enough to pull off what I wanted to do with the character. It was also my homage to Jane and the overall V series (Jane's middle initial, for instance, points directly to the series), and because I knew the new series was soon to be cancelled because the writers were just terrible. The company Jane Johnson works for is also a nod towards the series (and the other major actor in the original V, Marc Singer), and her ship (The Devils Double) is named after the musical album Badler released [You learn something new every day – Ed.]. The company itself took longer than Jane's character, since I was already using the Diana character as a template (although Diana was a seductress, she never actually fell in love with anyone, but I wanted Jane to have a bit of vulnerability as well, especially after the Captain sweet talked her a bit). I spent an evening researching bounty hunters and how one gets into the business. Since the company is relatively new to bounty hunting, I needed to know how a small company would organically grow into it. The idea that they were originally dealers of information made sense, as gathering information is probably the most important step of trying to collect a bounty (that is, information on where your target is located).

Another group of NPCs I’ve created is Edward Carter and the NPC senior staff on the Star Trek sim USS Repulse. All of these NPCs were pre-designed prior to Phoenix, because they were used in one-off Star Trek tabletop adventures I have run. I actually have a full set of senior staff that were used as pre-made playable characters, each with their own backgrounds and motivations, but I have limited playing roles that are already filled (such as the Tactical and Science officers). Each has their own personality and background.

An entire NPC-staff? Wow! You had already created these NPCs before you joined Phoenix. So before you joined you already had experience with RPG gaming, although tabletop and screen RPGs aren't of course exactly the same. Nevertheless, do you feel that your experience in table top RPGs helped you a lot with creating characters? Or was it different to create a character for computer than for a tabletop RPG?

I've also had previous experience with freeform simming. They really aren't that much different, especially if you've done ‘old’ table top RPing that actually requires imagination and creativity instead of pushing miniatures around a grid on the table. Some of my favorite RPGs have been Cthulu games, because it is almost ALL roleplaying - there is very little combat involved because in a Cthulu game, you have no chance to fight the monsters! So that experience has definitely helped me. I've had the pleasure to know a lot of really good role-players over the years, from tabletop RPGs to computer RPGs (I spent a few years following the development of Neverwinter Nights, and met a lot of great friends during that time). I've role-played with kings of the RPG industry (living so close to the Wizards of the Coast HQ helps - for those that don't know, WotC is the company that produces D&D ever since they bought TSR back in the 90s), and those experiences have all helped. I also took quite a few acting classes in high school, enough that I considered majoring in Drama in college and pursuing an acting career (the desire to actually make money and put food on my table made me decide on a different career path, though). So, to answer your question, I don't think that creating a character for a table top RPG is much different than for an online sim. Both characters will have motivations and aspirations, life lessons they've learned and mistakes they've learned from.

Both your playable characters as your NPCs are very detailed in regards of background story and personalities. Could you describe the difference in creating a playable character and an NPC?

For me they are one in the same, at least for NPCs that I know I'll be using a lot or that will be interacting with the party a lot. There will always be bit characters that are background, which may have only a line or two in the story. I don't detail them out unless they start becoming more prominent in their roles. The idea is to provide a believable backdrop, not detail everything completely. So many have little more than a name and the role they play, and perhaps a few lines about their personality or relationships. Most other details that may be needed can be made up on the spot, but usually it doesn't come up. As much as I'd like to do have full backgrounds on everyone, I just don't have the time! So I provide the illusion that the world is very deep in detail, when in reality if you peeked behind the wrong curtain you'd find an incredibly blank slate.

How did you come up with each character? Are they for example something you’ve worked on for quite some time, building them bit by bit, or did they simply come to you at one point, or is it something else entirely?

Some of them I've worked on over time - the entire crew of the USS Repulse, for instance, I worked on over a long time. Most of the others just kind of came to me. I usually start with at least a basic character concept, then I find a picture to help me get a visual image of them. Sometimes I don't fully flesh out their backgrounds, only giving it a slight structure so I can fill in details as I go. Some of them, such as Carolyn or Elizabeth, inspire me so much that I do create very detailed backgrounds for them. Most of the time the characters form in my head as I'm researching their backgrounds. I think about small details such as where they went to school, what kinds of friends they had, how did they grow up. I can spend a lot of time researching backgrounds for characters if I let myself. Doing so makes the character more believable, and I can portray the character in a much more consistent manner the more I know about them.

You mention pictures to go with characters. You say that finding a picture might help you get a visual image of the characters. So when you set out to design a character, you only start out with personality and not with a rough idea of how the character will look like?

I generally have a rough idea of what they look like when I start my search. That's what makes finding the picture easier. Long hair or short hair, handsome or ugly, tall or short. As I'm creating their backgrounds, the come into my head and I begin to formulate a sense of who they are, and what their appearance is.

Has it ever been the other way around with a character for you? That you started out with the idea of how a character should look and then build the rest from there?

I'm sure there has been some time in the past that has happened, but not with any of my current characters. Fiona Sang may be the closest, I knew she would be Chinese, but I also wanted to capture the western flare of the Firefly universe. You'd be surprised how few images there are of Chinese actresses in Old Western garb. So I had the image before fleshing out her background, although I already knew the niche she was going to fill in the Cydonia sim. Maybe the closest to having the image first was Ensign Roux, one of my NPCs on the Repulse. I think I found her picture when looking for some of the other Repulse characters, and it was such an intriguing, alluring image I had to make her into a character. At least, that's what I think happened; it's been a long time. It's also possible I simply had searched for "French Model" and her image came up. That's how it tends to work.

Where do you find inspiration for your characters? For example, are they based on existing persons, or are they completely original?

I take inspiration from a lot of sources, such as TV (V, Castle), movies (Hamlet, Galaxy Quest), and video games (Alan Wake). However, much of the time as I develop a character I get a certain sense of what I want them to look like in my head, and then I go out and find pictures to match. Sometimes those pictures can really help define more details about the person - especially if I am using an actor or actress that has done a lot of TV or film work that I can use stills to define their history. That's how Carolyn's detailed background came about, from me searching around the web for pictures of Kate Beckinsale  [Background research? Is that what they’re calling it these days? – Ed.]. However, I never tie myself to that, and in fact most of the time I already have a rough idea of what I'm looking for when searching for pictures. But occasionally a picture is so good I'll want to use it, and so I'll add or modify a bit of something to make the history fit the picture. Even so, I feel all of the characters I have are completely original. Some who share similar names to their inspiration (Richard Keep) may look alike, and at times even act similarly, but I could just as easily have separated the two completely to begin with (i.e. not used the same name or image) and I don't think anyone would necessarily know just from the characters behavior who I took inspiration from. In fact, most of my characters aren't inspired by anyone, but I simply find the images to represent them after they are fully fleshed out (Mei-Ling, for instance, was this way, although I am really happy with using Zhang Ziyi for her portrait, she is just gorgeous).

Again I get the impression that you spend a lot of time coming up with characters and 'tuning' them. Have you ever come up to a point where you said: 'no, this isn't right' for a character? Have you ever had to throw away some of the things you'd come up with and rethink those traits for your characters?

Oh, I'm sure there has been, although I can't think of any examples off the top of my head. I usually tweak the backgrounds as I'm writing them, so instead of a major overhaul of a character, it usually winds up being a bunch of small changes along the way. One small example came with a recent character submittal for a sim, where I had created an event around an aspect of the sim that didn't mesh as well with the world. The GM/SO let me know, and I had to tweak the encounter so it made sense for the behavior of the inhabitants of that sim. This happened as well for the After the Turn sim - Sarah hadn't originally been abducted by a demon, but working with the GM/SO it made sense for the sim (and to fit her into a more modern world). That's generally the nature of the changes. Since I try to make the characters develop organically, it is difficult for me to say ‘no, that's not right’, because I'll usually not get into that rut to start with - trying to shoehorn in something that doesn't fit.

And this concludes our interview. Thank you Jason for letting us get to know a little bit more about how all these wonderful characters of yours have come into existence.

Phoenix's Diamond Geezer: An interview with Kevin "Zuzutoo" Diamond

I’m here with one of Phoenix’s founder members. From a Skyplex orbiting Greenleaf to the waters of the Gulf, Kevin Diamond, or Zuzutoo as he’s known, has made his presence felt on a number of our sims.

So, Kevin, how did you get into RPing in the first place?

Wow, Founding Member, I feel rather important with that title. Unlike a lot of people, I did not have much RP experience prior to joining up with all of you in the old country (do we name names here?). I had played a couple of MMORPs but that's about it. I was playing City Of Heroes for several years and found I liked writing up the origin stories for my characters on there. Add to that a tremendous love/obsession with Firefly and I went hunting for an online Firefly game. I tried one that nobody ever seemed to post on that used canon characters and gave up and tried out the old country. And that is where I fell in with the bunch of you all. I made my way up the leadership hierarchy under the Plom administration and became one of the Sim leaders on several different genres there. The support and bonds between players from a year of playing there is what really got me to join the rebellion and migrate over to Phoenix. When it comes down to it, the quality of our playing is from the personalities of the people involved, and you, my friends, are more important than having a shiny badge and a fancy title.

So, Firefly. Who is your favourite character?

Isn't that the worst question you can ask a Firefly fan? Firefly impresses me because it is one of very few shows that has a terrific ensemble cast. Every character intrigues me, entertains me and makes me concerned about what is happening to them. I can't claim one is my favorite without short-changing my love for the rest of them. I do have a deep affection for Kaylee. I am always drawn to characters that portray innocence. River is close on the heels of that attribute too, but Kaylee, mercifully, never gets to be a trained killing machine. I've never bothered to go too deep into it, but I'm pretty sure the whole cast makes up an in depth psychological study of the human mind in all its facets. 

Kaylee as a killing machine would be a true nightmare to behold that’s for sure.

Since we’re on the subject of women, I notice that you play a lot of female characters in Phoenix. What advice can you give male players who wish to play female characters?

Geez, I've been wondering about that little issue of my own for a while now. I like strong female characters, be they in books, comics, movies and certainly RP. I think I only have three male characters and two of them aren't human. I think I find the female personality more fun to play. When it comes down to it the people I have loved most in life have been female. So I tend to make them into my characters. Poppy Brandes on Atlantis is a complete embodiment of my wife, minus the avatars of Georgia Moffett.
I'm not sure if there is a 'way' to play a female. I just tend to make them less inclined to shoot first. I think of how the women I know in life would react to a situation. How would they talk? What would they think of the people around them? I am very intrigued how Princess Noshin on Fighter Ops is going to react to where that plot line is going. She has a tendency to get very punishing and vindictive on people or in this case nations that cross her. I also like characters that are out of their element, and most Sci-Fi is in very masculine environments. The difference on how they perceive the situation makes them interesting characters to write for.

Moving on to Sci-Fi; what is your favourite piece of sci-fi work that most people would not have heard of?

Hmm.... so Firefly is out with this crowd then. Heh. No honestly most of my likes are fairly mainstream, although I do have a distinct love for 1970's sci-fi. Somehow their aesthetic of the future still is more visually striking than anything we seem to come up with today. Modern costuming seems content with black leather to mean all things action and sci-fi. I have been having a focused love affair with Gerry Anderson's UFO series lately. While cheesy beyond belief, it is impressive what they did for so little with such primitive special effects, but still pushed boundaries on social and political commentary. Plus silver miniskirts and purple hair cannot be improved on. Go swanky 60's & 70's!
Of the slightly more modern era, I love Chris Carter's Space Above & Beyond. While more of a military show, it was a refreshing ride through sci-fi dogfight style shows. I would like for a whole new era of sci-fi shows to start showing up that are not meant to be Lost or 24. On a personal and professional level, Edgar Rice Burrough's sci-fi series need to get more attention, and I'm talking Amtor not Barsoom.
Also Sanctuary is a fabulous show that more people need to watch. No really it’s on Friday nights. Watch it.

Interesting choices. If you could travel to any sci-fi setting, which one would it be? No, you can’t say the ‘Verse.

I'm not really dating myself, because this stuff was old when I first watched it on video, but the George Pal "The Time Machine" has a wildly intriguing ending to me. The rebirth and re-emergence of a fairly innocent society into a world ready for them to grow up is very appealing. Despite H.G. Well's rather grim view point towards human progress, I think the Pal version gives a great sense of optimism and hope for mankind. So yeah, I'd love to exist in that setting. I envy the age of exploration when there was a new world to explore, colonize and experiment in new forms of social freedom. Ok, that's a bit too rosy of a review of the past, but I do like the enthusiasm of mankind for doing something new, persevering through challenges and achieving what was thought to be impossible.
If that's too esoteric of an answer... then Star Trek.

OK, let’s move back on to Phoenix. What do you feel has been the best RPing moment you’ve participated in?

My favorite moments have been nearly all my posts involving the illustrious Elli Hol'liz on the hopefully soon to re-launch Accipiter. Particularly fun are the ones where she is playing off Aidan Fal's Leolacir or dratliff's Shadra. In the words of Ash, "This one is damaged." Elli is terrible fun to play, because I really have no idea what she is going to do next. She is the impulsive Id of my RP characters. That and she is rather complicated from the abuse and horrific life she has been put through. I hope folks re-launch Accipiter soon, I truly miss playing her.
I also miss the love/hate relationship between Poppy Brandes and Mike Palmer's Captain Lindemann on the Atlantis. I'm sad it never got to the embarrassing screaming match that she was headed towards with him.

Of course, you’ve created Greenleaf Skyplex. Where did the idea for this sim come from?

Greenleaf fell together very easily for me since I had a fairly well developed back story about it when I created the Scarlett Newman Wilson character to be the Dockmaster on Aker's Bluff. I always like to have my characters have non-traditional points of view and backgrounds from which to frame the Verse (or any other sim). Greenleaf was supposed to be a Skyplex with some of the dazzling technology of the future, but located on the Rim where there isn't a lot of money. It's not a military base, so it should keep money as the primary motivation for what happens there. Mix to that the hustle of the shopping scenes seen in Firefly, a 1980s Mall-rat attitude and an 1880s western outpost and you get Greenleaf.
Every space station needs to have a purpose to exist in space, this one has commerce. The Rim planets are struggling and require extensive goods from the inner planets to maintain themselves. I built the concept of a Blue Sun Mega Hauler with the creation of the un-launched Blue Horizon sim and my character Poppy Brandes as large company ships running from the Core to the Rim loaded with lots of essentials for survival of the colonies. They had to leave from and stop somewhere. So I made Greenleaf a terminus for that quadrant of the Verse. Nobody would hire the small freighters such as Serenity to take 3 Million tons of grain from Bernadette to Shadow. Not to mention she couldn't hold it. So the bigger hauler, like a tanker, takes the goods to the distribution point and the smaller ships take it from there to a thousand destinations. Cash is exchanged and goods are brought back to sell in the Core. A smaller ship such as those in our fleets could work out of Greenleaf indefinitely if they wanted legitimate jobs.
Add to this economic engine the tension between the orderliness of the Alliance, the chaos of the RIM, a community of shop owners and lucrative gambling and smuggling businesses and you have a great backdrop for storytelling. Anything you want can happen there. There is room for tales of innocence and kindness, there is room for depravity and darkness. It all depends on you folks... and staying above deck five.

Tell me some more about the non-traditional backgrounds of your characters.

The background of my characters is just as intriguing as the sim for me. I like characters that pose a problem with the commonly perceived way people look at a sim. It’s almost a granted that if there is a way that most people play a character I will choose the opposite, or at least something totally off.
Poppy Brandes on Atlantis is completely in favor of the Alliance. She served in U war, but not as a combatant, but as a researcher in foodstuffs. She is a long time employee of Blue Sun and thinks highly of how the company helps people all over the Verse. She is not overly political and is just a girl with a job that wants to see the Verse. She views Browncoats as terrorist thugs, and sees the Alliance as the Good Guys fighting for decency and civilization.  Joss Whedon saw the Firefly Universe the way he wanted to see it, and said that it could be possible that all the events of the Verse is seen through the misinformed perspective of individuals on the fringe of society. Poppy is one of the people he didn't write stories about.
Ta'ask on USS Repulse is a dinosaur. He does not act or think as regular people. He thinks in terms of Hunter, Prey and Clans. He is a deliberate outsider that plays against what most people see as human norms. He also has to suppress urges to eat most of the bridge crew.
Princess Noshin bin Sultan Al Qasimi on Fighter Ops is a Muslim woman from the upper class that has been blended into a British fighter squadron as an exchange officer. She deals with issues of trying not to conform to western lifestyles, being an independent woman from a conservative paternal society and of course fighting fellow Muslims in a conflict alongside western outsiders.
Elli Hol'liz on Star Wars: Accipter is a former slave turned actress that has no care for Jedi or Sith. The affairs of Galactic Politics and to a degree good and evil are irrelevant to her. Just because she is Force Sensitive doesn’t mean she is in any hurry to associate herself with the Jedi. Her motives are quite selfish but not necessarily evil. She is an outsider pulled into the conflict of other people and trying to escape or at least survive.
Myfanwy Villar on Beyond the Veil of Truth, is an orphaned teenager with remarkable but odd abilities that has found her way into the care of Paranormal research Institute. She has no practical training or skills for combating the weird and unknown. She answers phones and spends her time on the internet. But her hidden abilities are useful enough that she is being trained or at least taken along as a field agent.
As I said, they are mostly all oddballs. And I like it that way.

When not on Phoenix, what do you like doing?

Geez, that's hard to qualify. In my offline time, I greatly enjoy drawing, film making, traveling and spending time with my wife and daughter. I met Poppy, my wife, the last day of Jr. High and she has been my best friend pretty much since then. Our daughter (13) is blossoming into an avid con goer and is a delightful little geek. Not so little in that she is rapidly approaching six feet tall. Almost all of our extended family live in town, so we do a lot with them. We watch a frightening number of movies, albeit my wife and I have wildly different taste in films. I enjoy costume design and make several each year for my daughter and myself for cons and Halloween. I love building props.
I work with High School students in my local parish and tend to do a lot of things they like to do. I have teach weekly classes, and have to plan social events every month. And we are long standing Disney Season Pass holders and are at Disneyland about every two weeks during the winter months (summer is too crowded).
I have never been a huge gamer, we don't even own a console. I tend to play games on my computer. I'm back on the City of Heroes MMORPG again now that it is free, but I find I don't have as much time for it as I used to. Good thing its free now.
Oh yeah, I have jobs too.

Tell me about your prop building. Sounds interesting.

Given time and available cash I can make just about anything. I tend to work on the lower side of expenses. I've built crossbows, armor, Ghostbusters proton packs, 13 ft. foam dinosaurs and a whole mess of other things. I work heavily with woods, foams and resins. I really want to build a vacuum form rig, but don't have the time or space at the moment. Back in the day, I used to work in theater and did this for a living, now it’s mostly for fun or when our props guy gets lazy and I have to show how easy it is to make something. Needless to say, our garage has some bizarre stuff in it. I work with my father building sea kayaks from wood strips/foam and fiberglass. We just finished the sixth one. As for my wish lists, I've been wanting to build a hovercraft for my daughter for years, but haven't gotten around to it yet. Our house always has some project or another taking up way too much space.

So, speaking of projects – what are your plans for the future at Phoenix?

Good question. With all the transitions and complications of the past year, I am looking forward to things calming down and getting into some solid RP on the many sims I'm part of. There is a lot to do with member retention and recruitment, but I'd just like some time to enjoy really building the stories we have going. I am very glad to have Accipter re-launched. The Academy is looking to get very bloody in the coming weeks now that we have passed through the introductory chapter. I am looking forward to Princess Noshin going to war on Fighter Ops and I want to see what horrors await on Beyond the Veil of Truth. I worry about having enough time for all the sims I am involved in, but there is no one I would willingly quit right now. I am enjoying the curious dichotomy of playing the uber-virginal Princess Noshin and the ultra-flirtatious Elli. Its rather fun to have characters running the whole gambit of personalities. My greatest fear is them blending together and having one voice. I can't let that happen.
I do think I have a lot of work to do in getting new members integrated into games. The ones we do get that have stuck around are fabulous, but I still think the pacing we set is a bit odd for many people to overcome. Phoenix is a work in progress and I look forward to helping shape it into a better community for everyone that stops by. (Evil spambots not included).