An episode with an epic scope and yet still relatively small-scale, this features one of the best plots we've seen in a good while with a great cliff-hanger. The special effects are also great and it's really good to see an actor with dwarfism playing a human instead of an alien.
Next week looks really interesting, even if a bit of a remake of "The Last of the Time Lords", which was nearly a decade ago now!
8/10
Explaining just what the Doctor has in that vault, this is a very dark episode, literally and metaphorically. The pay-off when it arrives makes the journey worthwhile, but if we're being honest, it's a bit of a slog at times.
There's some good humour (although it's rather limited) and the performances are again stellar, but there have been much better Steven Moffat episodes over the years.
What this does do is set up the next episode and kick things up a gear... what happens next will be very interesting.
7/10
This 1974 fantasy movie based on the 1924 novel is not a bad film, but it is definitely cheesy and the imperialist overtones of the original work are pretty clear to see. The most memorable character for me is Dietz, played with relish by Anthony Ainley, who later played the Master in Doctor Who against Doctors Four through Seven.
I have to say that while this episode (which I watched in two parts separated by over a week) was enjoyable, it doesn't stick in the memory like some of the others have. Not bad at all, but certainly not a classic.
7/10
A strong episode throughout with a strong horror quotient and some very dark humour – especially Velma, the AI voice of the suits. What is basically a lot of corridor action is done very well, although it does get a bit preachy at times.
Great ending though... There's a spoilery joke that I won't make.
9/10
Now that was a nice 'base under siege', or rather 'house under siege' episode with a lot of creepiness throughout and an excellent villain in the form of David Suchet. Bill was again superb.
Not overly sure about the resolution, but you can't have everything.
9/10
Who wrote this dog's breakfast of a movie? It's like someone decided to let a 7 year old plot a science fiction movie... no a 7 year old could do a better job. Plot elements turn up with no notice whatsoever, the acting is atrocious, the effects are ridiculously cheap. There are better movies with Caroline Munro wearing a bikini for no good reason, that's for sure; namely The Spy Who Loved Me, which was not actually scored by John Barry (Marvin Hamlisch did that one), whose music is pretty much the only good thing about this. Also, who calls a character Stella Star? It's almost as bad as Luke Skywalker...
Bad movies often make for the best riffing and this is no exception. Servo and Crow – it's very odd seeing the latter standing up on his own legs in the theatre – throw some real zingers, as of course does Joel. I laughed a lot at this, although they did miss a couple of obvious riffs... and I have to say that the riffs do sag a bit in the middle of the film.
Also, "Live from New York, it's the torpedo sketch!" is a superb line.
9/10
