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This is the official blog of Phoenix Roleplaying, a multi-genre simming site, created in August 2010.

Run by the players, we hope to achieve great things.

Where our journey takes us, who knows.

Monday 12 September 2011

For the fourth time: Two is better than one (Review: 'Doctor Who' 32.10, "The Girl Who Waited")

Since Steven Moffat arrived as EP, this show has been getting seriously, seriously timey-wimey. This episode is a case in point and it wasn’t even written by the Moff, but by Tom Macrae.

 

I’ve got a feeling that this episode was the cheap one, although the large amounts of CGI in part refute that conclusion. Mind you, this is the most white we’ve seen in Who since “Warrior’s Gate” and arguably the most TARDIS time we’ve seen in years.

 

The story is a very interesting one – with Amy getting stuck in a separate time stream to Rory and the Doctor, then the two arriving 36 years too late to rescue her. Mind you it lacks something in the execution – perhaps a general pacing issue. If I notice the time during an episode and how long I’ve got left, then something isn’t working.

 

However, there’s plenty that works. The idea that a person in an alternative time stream might not want to erase themselves from existence isn’t that common in these sorts of stories – I think the only other time I’ve seen it recently is in the Stargate SG-1 movie The Ark of Truth. The concept of Twostreams is interesting, even if I can’t get my GCSE in Science Possessing head around it. However, the best part of this episode was undoubtedly Karen Gillan, who definitely proved once and for all that she is more than a pretty face and a nice pair of legs. Getting to wear a good amount of ageing makeup, Gillan had the hardest job of the episode and pulled it off with aplomb. Plus I’m sure she enjoyed decapitating robots – who doesn’t?

 

The ending was something of an issue for me – Amy Future’s decision seemed a bit off after the rest of the episode. Matt Smith does one of those alien moments that every Doctor gets every so often, which doesn’t quite work here.

 

Overall, this story lacked a certainly something to make it great. I’ve seen better, I’ve seen worse. It’s good though.

 

Next week, a nasty hotel.

 

7/10.

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