It’s a good thing I don’t suffer from a fear of clowns, Weeping Angels or gorillas, because I might not have made it through this episode, which was seriously freaky – and rather hard to understand (more so in some areas than Inception).
The Doctor, Amy and Rory end up trapped in a bad 80s hotel with a Muslim nurse, a mole, a Trekker and a gambler, which also contains a minotaur. This really strange plot description hides what is actually a rather good episode. [To be honest, Silent, you can describe many greats in strange ways -Ed]
In fact it’s very good – not a classic, which it would need to be to warrant a 9 or a 10, but a good old-fashioned romp (albeit a disturbing one) with a lot of running around identical corridors [Perhaps they’ve got budget problems – but then again judging by the CGI… - Ed]. There’s a real sense of terror and the gradual killing of the characters a la certain Agatha Christie novel, Alien or other things like that.
The supporting cast are very good; David Walliams excels as a mole and the first Muslim in Doctor Who since well, “The Crusades” (I may be wrong on that) also comes across a well-rounded character. Yet again, the dialogue from Toby Whithouse (who gave us Sarah Jane and Rose’s memorable verbal one-upmanship in “School Reunion”) sparkles and produces memorable one-liners. Plus Caitlin Blackwood as Amelia, who must be considered a recurring character by now, was great without even saying a word.
Only real issue I have is the ending. I mean it’s obvious that’s not the end for Amy and Rory. Right? Right?